Another form of school caution during the pandemic

This semester almost all of my university’s classes are online. Because of that, students can participate in Kwantlen courses – indeed, courses at any British Columbia university – from anywhere in the world. This distressing caution comes from The Tyee:

Some University of British Columbia students starting online studies next week will see a new kind of disclaimer on course outlines — this course could be illegal and even dangerous to access, depending on where you are. …

“Some UBC courses might cover topics that are censored or considered illegal by non-Canadian governments,” [wrote] Andrew Szeri, UBC’s vice-president academic. “This may include … human rights, representative government, defamation, obscenity, gender or sexuality, and historical or current geopolitical controversies.”

While UBC is “strongly committed to academic freedom” it has no sway over international governments, the warning says, and students should “exercise caution” when choosing courses this semester.

The letter also includes a warning for students. “Students should be mindful that when they partake in class discussions or communicate to the members of the class, that for some students living abroad, sensitive material might result in repercussions,” it cautions. …

“I think the university is trying to help students be alerted to the possibilities and make sure that they’re cautious if they’re in a place where some subjects may not be OK to study,” she said, “and that, that might actually mean they want to think about postponing a course.”

In the letter to faculty, the university said it is working to broaden the acceptable reasons for dropping a course without academic penalty to ensure students are not forced to choose between a course they need to graduate and their personal safety.

Good mental hygiene requires that we explore worst-case scenarios. I teach that in all of my classes.

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The School Year


The day after Labour Day is always a wonderful day. My students rescue the best in me.

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To slough and to slither

The xkcd webcomic is very entertaining. (h/t language log)

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Business Communications course ‘in a box’ – terrific resource

My colleagues at Kwantlen Polytechnic University have been really rising to the occasion during the pandemic, in all ways. I’m especially impressed, as an editor, by how prolific and intelligent their publishing ventures have been. Here’s another super-helpful one.

My Kwantlen colleague Arley Cruthers writes:

For those of you who teach business communications, my colleagues Melissa Ashman, John Grant, Petti Fong, Dr. Seanna Takacs and I collaborated to make an OOC (Open Online Course). Basically, it’s a ‘course in a box’ built using OER [Open Educational Resources] resources with a CC-BY license, so anyone can either use the whole thing (assignments, activities, mini-lectures, readings etc) or use/adapt/remix bits and pieces. We got a grant from BCCampus to do it, so we were able to do things like have a focus group with students and compensate them for their feedback.

From the book’s intro:

This course is designed for instructors who have the option of delivering the content either synchronously or asynchronously. … Students will explore and practice concepts such as their own writing beliefs, genres, audience analysis, storytelling, forming arguments, evaluating sources, persuasion, and verbal and written presentation skills. Learning and applying those skills are needed … in a world where new forms of engagement, relationship-building, critical thinking, internationalization, decolonization, anti-racism, and Indigenization form the foundation of today’s workplace.

I used Arley’s recently published Business Writing for Everyone in two first-year classes this summer. I hadn’t taught these classes in a few years. Her book made life a lot easier for me, and my students enjoyed reading it.

Here’s more on my university’s Open Learning initiatives.

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Albright Knox Museum, Buffalo NY; art by Robert Therrian

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Flagging the #tags

It’s not just the photos available for viewing and sale by the Magnum Agency but how they are tagged:

Magnum Photos, one of the world’s most celebrated photographic agencies, is to re-examine the content of its archive of more than 1 million images after accusations it made available photographs that critics said may show the sexual exploitation of minors. …

“Recently, we have been alerted to historical material in our archive that is problematic in terms of imagery, captioning or keywording and we are taking this extremely seriously,” she said.

As of Friday the Magnum archive was offline. …

While photo essays documenting sex workers and sexual exploitation have a long history in journalistic reportage photography, Magnum admitted it had been caught out, both by the presence of some images in its archive, and by the way they had been labelled in search terms accessible to the wider public. …

Several of the photographs, which were sexually explicit, were tagged in the archive with the search term “teenage girl – 13 to 18 years”.

“Some of the search terms are problematic like referring to a 13 to 18-year-old girl,” the spokesman said, adding that it was not clear who had supplied the tags for the pictures or whether the photographs in question depicted what was described in the tags. He said some “tags and images were not appropriate” for the agency’s publicly searchable archive. …

“I think the whole photographic industry, across the board, are questioning their assumptions, not least the power structures and inherent way that photography has predominantly reflected male gaze, which leaves it very open to very strong arguments of exploitation.”

Librarians and curators – really anyone involved in the licensing of archive photography – have to revisit and reassess their archives continually. I’m confident Magnum will meet this requirement in an enlightened fashion; perhaps I am swayed by the agency’s great history. Some photographers are not sanguine, though.

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RIP Geoff Nunberg

I aspired to rise to the level of acumen, clarity, and courtesy of this marvelous linguist, knowing of course that I could never get close. Listen to some of Nunberg’s commentaries for NPR’s “Fresh Air” program.

22 August: The New York Times published an excellent obituary of Nunberg today:

In a “Fresh Air” commentary last year on the gender-neutral pronouns used by nonbinary people, [Nunberg] urged speakers to “tweak your internal grammar” to refer to an individual as “they.”

“It takes some practice to get the hang of it,” he said, “but the human language processing capacity is more adaptable than people realize, even for geezers like me. As I read through an article about a nonbinary person who uses ‘they,’ ‘them’ and ‘their,’ the pronouns ultimately sort themselves out.”

In another NPR essay, he observed that the word “socialism” has survived as a term of abuse used against Democrats by Republicans, but has lately lost some of its political zip because “the connections to Marxism are hard to discern” and its power to slander has diminished.

“Conservatives often seem to assign magical powers to that word — call yourself a socialist and you summon the specter of Stalin whether you meant to our not,” he said. “You think you’re calling for guaranteed health care, but you’re really calling for gulags and collectivization.”

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Editing for a civil society

Friend of No Contest Communications Chet Wisniewsiki, a principal research scientist at Sophos, woke me up with this short thread earlier this week:

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On collaboration

Richard Rogers upon meeting Lorenz Hart for the first time:  “I left Hart’s house having acquired in one afternoon a career, a partner, a best friend and a source of permanent irritation.” Their song “My Funny Valentine” is something of a mutual self-portrait.

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The root of beauty …

is boldness, wrote Pasternak. “That is what’s brought us to one another.”

Apropos: After Wolfgang Pauli had given a colloquium on some ideas related to particle physics, Pauli said to Neils Bohr: “You will probably think that what I said is crazy.” Bohr to Pauli: “Yes, but unfortunately it is not crazy enough.” – from Abraham Pais (in Neils Bohr: A Centenary Volume, p. 182)

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