Vantransient

Tweets from folks using the Lower Mainland’s mass transit system, retweeted for *you* by the creators of No Contest.

VantransientLogo_400x400

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Simplicity is Beautiful

trainclock

I take the train from Vancouver to Olympia, and then back again, all the time. (The love of my life lives south of the border.)

Olympia’s Centennial Station is staffed by (usually) elderly volunteers who love trains and who love helping travelers. Built in 1993 after six years of fund-raising in the local community, the train platform is laden with metallic plaques with the names of contributors. So many are couples. To me, the plaques are very moving.

Everything about this train station is right: The seats are comfortable; the vending machines have coffee, juice, pop, peanuts, and Cheese-Its at inexpensive prices; there are plugs everywhere; and the Wi-Fi never flutters.

My favourite part of the station is the clock outside. I have often stood in the rain just to stare at it. Unlike many of my students, I have very little vocabulary to describe design (a professional nuisance, alas). But I think I “get” this clock. It looks strong; it looks old-fashioned. Trains are strong and old-fashioned, but they are neither obsolescent nor obsolete. Their design is simple and beautiful.

(I stole the title for this post from Juliana Hatfield, a great musical artist.)

 

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A related post …

Popular bar in Olympia, Washington:

husbanddaycare

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Bringing Children in

From an excellent article in Mediate.com called “Best Interests and Little Voices: Child Participation in the Family Mediation Dialogue” by Jennifer Winestone:

Children were historically excluded from post-separation decision-making, because of the  assumption that children lacked the “legal and psychological capacity” to participate in decisions and that insulating children from the decision-making process would somehow protect them from the turmoil of divorce. But these were not the only reasons children were left out of the post-separation conversation.  In accordance with the old adages “father/mother knows best”, “[a] related assumption was that parents know what is in their child’s best interests, and children’s views would, therefore, be adequately represented by their parents.”

Studies show that these assumptions are false; in fact, “children’s  meaningful participation in decision-making can reduce the negative affects of family breakdown” and “often promotes their social well-being.” Empirical findings suggest that children want to have a “voice” in the processes that “fundamentally affect their lives,” and that not listening to children’s voices “may do more harm than good.” Accordingly, there has been an increase in developments aimed at promoting  the “voice of the child” in family law processes.

Recognition and respect for the “voice of the child” has evolved not merely as a value-added phenomenon, but from a social recognition of children as “rights-bearing individuals rather than as merely objects of concern or subjects of decisions.” [footnotes included in full article]

I learned a lot from this piece.

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Audience Analysis

Picture 3

This mash-up of recent country music hits demonstrates aesthetic ossification. Via Language Log.

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Communicate for Free

I had always found eHarmony Inc.‘s advertisements vaguely disconcerting: too optimistic about romance, and too confident about its vaunted heuristic (the “Relationship Questionnaire”!).

An advertisement currently in frequent rotation on television promises viewers that “You can start communicating for free today” – a trademarked phrase (of course). This advertisement is specifically disconcerting. The company is presenting a birthright as a corporate gift.

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Ginormous

Bryan Garner, lawyer and English language usage scholar, on one of my favourite words:


A portmanteau is a type of luggage with two separate sections. A portmanteau word is formed by combining the sounds and meanings of two different words. Linguists also call such a word a blend.

Most portmanteaus merge the initial part of one word with the end of another: smog (smoke + fog) and infomercial (information + commercial). Others combine one complete word with part of another: docudrama (documentary + drama) and palimony (pal + alimony). Sometimes words with the same sounds are combined to create a pun: shampagne (sham + champagne). …

The popularity of portmanteau words continues to grow. …

My favourite recent portmonteau is “bankster.”

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Independent Creativity: Making Yourself Successful

The wonderful Molly Crabapple explains what she has learned, in fifteen paragraphs. Here are a half dozen:

Companies are not loyal to you. Please never believe a company has your back. They are amoral by design and will discard you at a moment’s notice. Negotiate aggressively, ask other freelancers what they’re getting paid, and don’t buy into the financial negging of some suit.

I’ve cobbled together many different streams of income, so that if the bottom falls out of one industry, I’m not ruined. My mom worked in packaging design. When computers fundamentally changed the field, she lost all her work. I learned from this.

Very often people who blow up and become famous fast already have some other sort of income, either parental money, spousal money, money saved from another job, or corporate backing behind the scenes. Other times they’ve actually been working for 10 years and no one noticed until suddenly they passed some threshold. Either way, its good to take a hard look – you’ll learn from studying both types of people, and it will keep you from delusional myth-making.

I’ve never had a big break. I’ve just had tiny cracks in this wall of indifference until finally the wall wasn’t there any more

Don’t be a dick. Be nice to everyone who is also not a dick, help people who don’t have the advantages you do, and never succumb to crabs in the barrel infighting.

Remember that most people who try to be artists are kind of lazy. Just by busting your ass, you’re probably good enough to put yourself forward, so why not try?

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#MRKT3311

westendatnight

Students in my “Marketing in the Digital World” class at KPU are educating one another and myself via numerous social-media platforms. Here’s the class twitter feed for your edification, too. It’s very lively, intelligent, and in tune.

Photo by Miles Basil

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“Bucks for Clicks” journalism

I like Virginia Postrel‘s take on the recent controversy over at Forbes.com. A popular author, Bill Frezza, published a controversial column on that website – advising university fraternities to beware of female students who show up at their parties drunk – and was fired. Comments Postrel:

What has drawn little comment is the business model that produced a journalistic fiasco. Forbes.com (not to be confused with the print magazine) is a publication that acts like a platform. It hires columnists, gives them a general turf, tells them to write and post pieces, and pays them by how much traffic they attract. Unlike a traditional publication, it doesn’t spend money on having editors review the topics or articles beforehand.

In the traditional model, Frezza’s article either would have had the backing of the publication–which would have stood up for it–or it would have never seen the light of day. If the argument seemed beyond the pale, an editor would have said, “No thanks. What else do you have?” There would have been no public blowup and no firing. One way or another Forbes.com would have taken responsibility. (As anyone who reads Forbes.com knows, its lack of editorial oversight extends to basics of proofreading.) Forbes.com’s business model has been successful in a tough environment, but it presents editorial perils.

Under the new model, columnists have to guess what readers will find interesting and they also have to guess what editors will find a firing offense. They are expected to internalize vaguely defined standards and self-censor accordingly.

Other, very bad problems with this model: (1) Authors are financially punished for writing stories that take a long time to report or that are important-but-boring; (2) livid, invidious opinion is likely to generate more “clicks” than researched journalism; (3) writers must now aim to please rather than to inform their readers.

Back in the day, Sports sections, for example, subsidized important-but-boring stories about school-board meetings and treaty negotiations among Asian nations. No more, alas.

Reposted from basil.CA

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