“The more that you take care with your writing, the more you might explore uncertainties in your thinking,” suggests Stanford University Environmental Earth System Science Professor Julie Kennedy in this excellent Writing Matters video. Kennedy helpfully stresses the primacy of “owning” your topic before putting pen to paper. There’s no short cut.
With several of his graduate students NYU Journalism Professor Jay Rosen has just published the second annual “What’s Changing in Journalism” guide, which “depicts trends that are influencing the business now, and are still new enough that even experienced journalists may not understand what’s going on. Each development gets its own page, with a concise summary, links to learn more, key people to follow: everything you need to get up to speed.”
This is marvelous and helpful work. The trends:
Under the principle “go where the people are,” newsrooms are now making stories and features that are fully native to social platforms.ONE This is easier in the case of chatbots,TWO harder when it comes to audio,THREE which is just starting to adapt to the social media age. To reach people directly — without platforms in the middle —journalists are doing more with mobile push notificationsFOUR and reviving the email newsletter.FIVE Meanwhile, artificial intelligenceSIX is becoming part of the work flow, as new forms of storytelling emerge, like drone journalism,SEVENvirtual reality and 360° video.EIGHT With technologies and platforms proliferating, news companies have to get much better at UX designNINE and make subtler use of metrics,TEN since many of the traditional measures no longer apply. And with the discovery that people will pay for news, it’s time to get smarter about membership models.ELEVEN
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I’ve folded a recent post re Jay Rosen’s work into this one. The two are closely related, obviously, political concerns being implicit in the first and explicit in the second –>
My first mentor keeps a list of things in journalism that worry him the most. His first three (“ranked by urgency”):
1. The President of the United States is proceeding as though he were liberated from the distinction between true and false. His spokespeople are following on this dubious lead. What does the press do in response?
2. It’s possible we are sliding toward authoritarian rule. That’s a development journalists ought to oppose with all their might. But they are reluctant to think that way. They don’t want to be on the opposing team— or anyone’s team. They just want to report the news. “We’re not the opposition,” they say. Yet they may have no choice. From what traditions can they draw to rise to the occasion, and find the will to fight?
3. With Trump in power there is a surplus of eventfulness, too many things to report, track, investigate, critique. Too much news! How does the press keep from exhausting itself and fracturing our attention into too many pieces?
In a blog post this morning called “A Raging Snowflake,” my good friend Clarissa writes:
Remember the Oppressed Tiffany, a very special snowflake whose “narrative was erased by the entire field of academia” when a hapless prof asked her to work on her writing?
The administration of her college is now going to humiliate the entire teaching faculty by forcing them to attend classes on microaggressions to appease the raging snowflake. Serves them right for not figuring out that their job is not to teach the snowflakes but to praise them slavishly and exuberantly without pause.
I normally tend to agree with Clarissa but need to part ways with her here. The unnamed professor apparently announced his/her suspicions – that the student had plagiarized an assignment – to the entire class. There is never a reason to humiliate a student that way, IMHO, even if you have proof of such wrongdoing, and there doesn’t seem to have been any in this case.
Below is a photograph of part of the assignment. The professor indicates that this student could not have used the word “hence.” I might have been offended by that remark, too!
I am not certain that this teacher was trying to “marginalize” a Latina student. The prof was, though, certainly being a real oaf and, in those moments, a terrible teacher.
And, too, who the heck doesn’t know the word “hence” – in an academic environment? I teach students from all over the world, and practically to a person the word “hence” is in their vocabulary, and if anything used too often.
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By the way, you should read Clarissa’s blog every day. She is very prolific, opinionated, brilliant, and vivid. A joy.
h/t Clarissa
FirstDraftNews.com is a beautiful and wide-ranging resource created for journalists “who source and report stories from social media.”
What is the best way to search for eyewitness media when a story breaks? What are the most efficient and effective ways to verify what you find? How should you approach and credit social sources? What role can you play in stopping the spread of rumours and hoaxes? How can you do all this while remaining commercially competitive? …
Here on First Draft News you will find relevant features, reviews, case studies and analysis authored by members of the First Draft Coalition alongside a library of free training resources for use in the newsroom and the classroom.
First Draft is also, I have found, a godsend to non-journalists who write and teach professionally and who need to navigate and fact-check enormous amounts of information in order to do their jobs at a high level. The site has sections devoted to News Gathering (Mastering Google Search to find eyewitness media and How to find geolocated videos on YouTube, for example), Verification (How to use TinEye to find the oldest version of an image online), and Ethics and Law (What are the legal implications for accidental copyright infringement? and A simple guide to the complexities of copyright law). The site also focuses on Fakes and Hoaxes (Lessons from The New York Times Super Tuesday hoax: Five ways to spot fake news and, my favourite, The ‘giant’ rat found in London is almost definitely not 4 feet long).
University educators can create “packs” useful articles and share them with their students and/or colleagues. Even better, in my experience students eat up the kind of online platforms and tools vetted and annotated here; these lessons and resources will not go unused. And finally, First Draft provides a number of detailed and contemporary case studies that make research – and discussion of research methods – vivid and fun.
A handy-dandy starting spot for you: 5 Vital browser plugins. They include Storyful Multisearch (gives you customized and filtered searches of numerous databases at once), Google Translate (provides automatically translated posts originally written in languages you don’t know well), RevEye (performs a reverse image search “to see if the image has appeared elsewhere before”), Distill Web Monitor (“let[s] you know about changes to a web page via a pop-up on your computer, email or SMS”), and Jeffrey’s Exif Viewer (checks “whether a picture is all it claims to be” – “time, date, device used” – by examining its metadata).
Starting early last year I noticed that students would take photographs of notes I’d written on the board with their smart-phones. What a great idea, I thought – at first. Then I noticed that on some assignments my own on-the-whiteboard language was being parroted back to me. Here is my friend Clarissa’s smart take on the topic:
Studies show that copying information from the blackboard by hand allows students to retain a lot more knowledge than typing this information.
Typing, however, is an outdated trend. Today, students don’t type. They photograph. Time and again, I see a student snooze through the class period only to take a photo of the blackboard at the end of class. This is, of course, a lot more useless than typing. If you haven’t heard the lecture and haven’t tried to make it meaningful to yourself through taking your own notes, the scribbles on the blackboard will have no meaning to you.
I don’t forbid photographing of the blackboard but I always wonder why such a silly method of note-taking even exists.
While we’re talking about Jay Rosen, let me introduce you to an initiative he started the other day with some of his graduate students at NYU: NewsLiteracy2016. This is a wonderful project.
Jay’s announcement on his Facebook feed:
One of the first things I teach my students is: “Online, the simplest way to add value is to save the user time.”
That was the principle behind a project we launched today, called NewsLiteracy2016. Each of my 11 graduate students took a key trend or disruptive force that is changing journalism and studied it until they knew it cold. Then they reduced all that knowledge to a series of time-saving features: a short 500 word introduction, a list of the best links for further reading, good people to follow for that topic, key charts and graphs to illustrate trends, a “why is this important?” box.
The cover image (below) is a single paragraph summarizing what’s changing in journalism, and each clause links to the one-page study guide for that topic. So it’s both a condensation, and a table of contents.
We made this especially for teachers and students, and anyone who wants to understand why people keep talking about a “crisis” in journalism. My Studio 20 students built the site and did the design. I hope you will check it out, and “like” this post so it spreads on Facebook, or even consider sharing it with your network. It will save your friends a lot of time!
Here’s the picture with the links working: As news consumption moves to mobileONE and publishers lose control of distribution,TWO business models have to evolve with changes in the larger ecosystem.THREE Wise media companies are focusing more on products,FOUR exploring how to personalize the flow of information,FIVE and engineering a smarter newsroom workflow.SIXMeanwhile, journalists are realizing that data can help them find better stories,SEVEN and they’re making friends with automation.EIGHTThey understand that users can assist in news production,NINE that if you can’t have scale it’s better to be niche,TEN and that excelling at explanation can interest more people in the news.ELEVEN
In a post called “Cognitive” my good friend Jonathan Mayhew explores one of NoContest’s recurrent themes:
There is the idea that you can prevent decay in cognitive function by doing inane, mindless games on the computer, such as those peddled by lumosity.
I do the NY Times Crossword most days, and usually try to use five minutes per degree of difficulty (Monday 5, Tuesday 10, Wed. 15, etc…). I do a puzzle called kenken as well. Then I compose music or work on previous compositions. I try to work on my research every day, not breaking the Seinfeld chain. I have to figure out how to teach what I know to groups of students…
I have another goal of being able to read novels in all the romance languages. That’s another cognitive stretch. If someone can find me a novel in Rumanian or Provenzal I would appreciate it.
Really, though, my whole life is devoted to the cultivation of intelligence. That’s all I’m about. There are two or three ways of doing this. Learning to do novel tasks stretches the mind in different ways. So I have tried to teach myself to draw, to compose music, to read Italian. Delving deeply into a subject matter that is not novel, that you know very, very well, is also good. So writing a third book on Lorca… A third way is to solve puzzles or memorize poetry.
I hate that this sounds arrogant, but if I am intelligent it is because I do these things, not the other way around. If I am stupid about other things, it is because I haven’t cultivated thoses sorts of intelligences. Put me in a home depot, and I am a blithering idiot.
Jonathan’s blog is one of the best places in cyberspace. You need to put it in your feed.
My friend Clarissa writes:
Many people are lured into believing that apps can do everything a computer can and never acquire crucial computer skills. They go around brandishing their smartphones and tablets and have no idea why, in spite of all the productivity apps, they never seem to catch up. It’s especially sad to see young people get caught up in this self-defeating mentality.
photo by Miles Basil
It is a truism that dormant websites and social media platforms can do more harm to you than good, no matter how active you have been in the past. I teach my students numerous methods to keep their online presence bubbling even when they are busy with other things – the holiday season, finals – or when they are ill. I have certainly used these methods myself, in both situations, to keep my many platforms up to date.
For websites and blogs:
– Feel free to recycle past posts that have a timeless quality to them – maxims, insights, humour. (I make sure that such posts are at least three or four years old. I also make it clear that these are re-posts.)
– Point your readers to good writing posted by others whom you bookmark or follow via your news-feed (see below). There is nothing wrong with a post that is composed mostly of another writer’s thoughts. Give credit where credit is due, and Bob’s your uncle.
– Create and use an extensive photo library. A photograph with a short description will indicate that you are still “on the case.” And people like pictures.
For Twitter:
– No matter how busy or under the weather you are, you can usually get out of bed and review your news-feeds (see my own Feedly feeds); this can take as little as twenty minutes.
– Then: Tweet the posts and articles that will appeal to those who follow you.
– To make sure that you don’t spam your readers, spread out your tweets. There are numerous tweet-schedulers. I use Hootsuite and Buffer. With these I can be tweeting all day with just a few minutes’ effort in the morning.
For LinkedIn:
– Many, if not all, of your blog posts will be of interest to your LinkedIn “connections.” Post these in your LinkedIn updates. There is nothing wrong in repurposing your work this way.
– Once or twice a week, head over to your LinkedIn account and see what your connections are doing. Comment on or “like” their updates. Show that you are still attending to the work and insights of your online friends and colleagues.
So there you go: easy peasy lemon squeezy. Keep your online presence active and your ‘brand’ beaming. Have a wonderful holiday!
I prefer my classical-piano sheet music to be professionally edited, published, and printed. I like the help with fingering editors provide, and I like big easy-to-read pages in front of me.
When I am experimenting with new (to me) composers, though, I like to experiment without making a monetary investment. (I will certainly make the *time* investment, practicing.)
Free-scores.com is a superb resource for students and instructors (and for the people who help support them). Scores and sheet music not subject to copyright are made available to music-players everywhere.
